When the width circuit is engaged, the stereo signal is split into a sum and difference network, allowing the width, depth, insert and EQ controls to be used. The width control enables the user to increase or decrease the width of a stereo image (wide/mono) and adjust the amount of ambience inherent in the recording. As the width control is rotated toward wide, the amount of difference material is boosted, thus altering the signal that the depth, insert and EQ affect. Conversely, the stereo field is contracted when rotated to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then reversed the mono content may be virtually eliminated. Because the amount of effect the width control has is entirely dependent on the amount of stereo information in the original source material and the interplay between the 5014's other controls, listening and experimentation are essential for the best results.


The depth control of the 5014 adjusts the spatial positioning of elements in the sound stage. A solo instrument or vocal can be placed up front in a mix and supporting instruments can be pushed back, for example. In many cases, a center-panned vocalist can be placed forward in a mix or virtually eliminated without adversely affecting the music bed. Used in conjunction, the depth and width controls effectively alter the perceived room ambience and dimension.

Difference Channel Insert

The difference channel insert and EQ offer new opportunities to manipulate stereo signals. In mastering use, lead vocals can be brought up or down in a mix, excessively sibilant overheads can be controlled, and mixes formerly considered beyond repair can be saved. By inserting effects such as reverb, additional EQ, compression, or expansion into the difference channel new creative options for altering ambience and adding movement to the stereo image are available.

Difference Channel EQ

The difference channel includes a semi-parametric EQ with frequencies ranging from 120Hz to 2.4KHz and two selectable Qs that only affect material panned out of center. This can be very useful for eliminating room resonance or adding sparkle to ambient material.

Rupert Neve Designs Portico 5014 Stereo Field Editor

£0.00 £1,479.00 inc. VAT
£1,232.50 exc. VAT



Rupert Neve Designs Portico 5014 Stereo Field Editor

Rupert Neve Designs announces the launch of the Portico 5014 Stereo Field Editor, an all new approach to stereo that redefines the boundaries and limitations of traditional 2 channel recording and playback. For mix, mastering and live sound engineers, the Portico 5014 allows users to control stereo ambience with its width adjustment, position images forward or backward in the stereo field with its depth control and provides the ability to further manipulate source material with its difference channel eq and insert. Designed with the same half rack dimensions as the rest of the Portico range, available in horizontal or vertical formats, and utilizing Mr. Rupert Neve’s custom transformer designs, the 5014 is a new tool for creating dimension and life in the modern recording engineer’s palette. 

The remarkably sweet sounds that may be distilled from an ordinary digital signal with the 5014 are achieved entirely in the analogue domain using Rupert’s discrete component circuits that encompass level controls, phase inversion, and a sum and difference network with three key features to effect stereo sources. The first key feature of the 5014 is its width control, which enables the user to add to or reduce the width of a stereo image (wide/mono) and adjust the level of ambience inherent in the recording. For instance, a drum buss that needs to be tightened up can easily be run through with the width circuit towards mono, or a background vocal buss that is smothering a lead vocal can be opened up to let the center material breathe.