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Reviews

'It's much brighter and less specialised than the Peluso 22 47 and, although not quite as airy as the Peluso P-12, the P-67 has more midrange body. The sonic character of the P-67 changes between patterns but there's no weak spot. In omni the sound is even rounder, sweeter and more natural, with figure-8 providing maximum focus.

In this reviewer's experience Neumann U67s are much like U87s. You can put one in most situations and get a useable sound straight away, but where a U87 might sound pretty good, a U67 will often sound wonderful. That pretty much sums up our time with the P-67. It's not fussy about placement, it makes recording easy and it just works - really well!'
-Huw Price, MusicTech Magazine

'I use the P-67 for a lot of applications....guitar amps, acoustic guitar, vocals and upright bass. It's stellar. It's really pro sounding on everything... It's super-duper on the upright bass and it's the best sounding mic for my guitar amp when I put it up about ear level and away from the direct path of the speaker - super warm and smooth low end.' Reverend Horton Heat

Peluso P-67 Vacuum Tube Microphone

PELP67
£0.00 £1,699.00 inc. VAT
£1,415.83 exc. VAT

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Peluso P-67 Vacuum Tube Microphone

In 1960, the U 67 sought to deliver smoother highs, a solid bass and a rich detailed mid-range while introducing some new technical advances. Proximity effect is the low-end boost created when a vocalist gets very close to a microphone. It can have a very powerful effect, but can leave the bottom end muddy and boomy. To handle this, the '67 introduced a low-end roll-off switch. For very loud sources like drums or certain guitar amps, a -10 dB pad switch was also introduced. Though the much-loved steel body VF14 tube of the U 47 had been discontinued, a lower noise floor was now possible with the new glass pentode tube. A more accurate figure-eight polar pattern was also now possible thanks to the development of the double back plate K67 capsule. Manufactured from 1960 to 1971 the U 67 was the versatile workhorse of professional recording studios of the time. The P-67 is a faithful tribute to this treasured microphone. 

The P-67 is paired with the Peluso MX-56 power supply. The dual sided capsule in the P-67 enables the power supply to feature 9 polar patterns in an array from omni-directional to cardioid to figure eight. 

The P-67 features our heavy-duty 8-pin screw on cable connector. The large diameter pins in the screw on connector give a tight and secure cable connection designed to perform for a lifetime of use.

Acoustically matched pairs available upon special request.

Microphone kit comes as a complete system including: P-67 Microphone in a Wood Box, Power Supply, New-style 8-Pin Screw on Cable Assembly, and a Shock Mount all packed in a Flight Case.

Specifications
Capsule Type
Condenser Pressure Gradient w/ 34mm capsule
Frequency Range
20Hz/20Khz
Polar Pattern
9 - Switchable from omni- to bi-directional
Sensitivity
18 mv/pa
Impedance
200 ohms
SPL
148 dB with 10 dB pad engaged
Equivalent Noise
14 dB(A)
Tube Type
EF95 (6AK5, 6J1, 5654)
Power Requirements
Dedicated Power Supply, 115V or 230V AC
Size
56mm x 205 mm
Weight
600 g